Layering is a familiar phrase for the fashion industry, hairstyling, painting... as well as other art-related professions. In architecture, layering is an effective design technique and is increasingly being used.
1. What is layering?
Layering
in interior design is the layering or layering of elements in space to create a
special whole with its personality, optimizing the user experience.
Each
space has a story, a separate message, and elements are the materials for
architects to create and convey design messages and intentions. The process of
using elements to design, arrange and classify them is called layering in
interior design.
2. Effect of using layering
The
purpose of spatial layering is to increase the depth of space, so in addition
to large spaces, smaller spaces can also apply this method to design. The
number of layers to be separated is not specified so as not to limit
creativity, it depends on the concept of each design and the characteristics of
each space.
Layering
helps to create spaces that are no longer monotonous but have depth and a clear
layout. A space with main - secondary means there is accents and features to
highlight the individual message of each space. When understanding layering, we
can limit the creation of layers with no intention, no specific purpose,
avoiding overlapping layers, masking each other.
With PYRA Engineering, the space created must be optimized,
interior design is about putting yourself in the position of the user and
thinking about space. How to use the space for customers to always experience
interesting things is the responsibility of the designer.
3. How to layer the layering space in interior design
Classification is based on the characteristics and properties of elements.
With
this approach to designing a space, we need to perform two stages. Stage 1
classifies elements based on properties and nature.
We
can divide it into two major components as follows:
·
Fit-out,
also known as the rough part, is the frame part such as the wall, ceiling,
floor, molding .. all fixed elements, mounted on the wall, related to the
finishing work. 0
·
Furniture
is usually divided into 2 types: loose furniture and built-in furniture. Loose
items are items that are placed to be flexible, not attached or fixed to any
element. In contrast, build-ins are attached to fit-outs, fixed in position and
size.
Specifically,
we can divide it into smaller categories as follows:
·
Wallcovering
·
Flooring
·
Ceiling
·
Built-in
Furniture
·
Loose
Furniture
·
Textile
·
Lighting
·
Decoration
items
Clear
layering makes it easy for architects to apply design techniques as well as
follow the principles of different styles.
An example of Scandinavian style, Nordic design style is a
combination of aesthetics and function, prioritizing simplicity, coziness, and
convenience. So the principle in this style is to design spacious windows, wall
paint color is usually white or bright colors so that the space can absorb
natural light well. The main materials commonly used are leather, fur, wood,
stone, and deep colors that are easy to combine with bright paint tones...
In
stage two, after layering the elements present in the interior, we need to
arrange and place everything to create contrast and reciprocity between those
elements. Contrast is the contrast, visual difference of things placed in the
same space to stimulate visual appeal.
Therefore,
contrast is applied in the design to create attractiveness, and uniqueness, and
to avoid boredom in the space. Usually, we think of contrast in terms of color,
however, in reality, contrast layering is exploited on many different factors:
color, material, shape, size, and pattern.
Classification for the visual field
Another
way to create layers in the design that we also need to pay attention to is
layering for the visual field. Here, the visual field or field of view is the
upper limit, lower limit, and lateral limit that the eye can see. Simply put,
the visual field is the range that the eye can see.
In design field of view is generated first, then the subject,
then background 1, and background 2 ... In a defined field of view, nearby
objects always have a visual impact than distant objects. Just like when taking
pictures, we always need a font, determining the main font is determining the
field of view to arrange a reasonable composition, highlighting the subject.
An
example of a real-world layout: At the end of a hallway, there is a buffet
cabinet placed on the wall that is decorated with paintings or stone tiles.
Here, we have a fixed field of view which is the corridor, which is limited by
walls on both sides. When we have a specific field of view we need objects and
layers to create depth, and the eye stops in space. Painting or stone cladding
here plays the role of background 1 and wall material plays the role of
background 2. In addition, in some cases light can separate layers to create
layers before and after the object.
Compared
with the method of classification based on the characteristics of elements, the
classification for the visual field is more suitable for small and limited
spaces. For limited spaces, layering is very important, helping the space to
have a clear layout, increase depth, and expand the space.
As
for large spaces, we can apply the first layering method to make full use of
the width of the space, making the space more vivid. Of course, in design and
practice, we can be flexible with the methods depending on the specific
characteristics and requirements of each space.
4. Conclusion
In this article, we have shared with you layering design
tips. With Layering, we can layer the space based on the properties of the
elements or classify the visual field. Depending on the space conditions and
the requirements of the investor, we can apply different ways to the design to
create spaces with layout, conveying the message and design intent.
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